CONCERTO for Flute, Alto Flute, Piccolo Flute and String Orchestra
- The first modern Urtext edition, based on manuscripts
- Score in format – A4
Explore the score history
Sigismund Toduță’s interest in the concertante genre led to works for solo instruments such as piano, flute, and oboe, as well as string orchestra concertos composed in a neobaroque style. Among these is the Concerto for flute and string orchestra, completed in 1983 and premiered in 1984 at the “Timișoara Muzicală” Festival by flutist Ioana Mogoș and the “Banatul” State Philharmonic Orchestra, conducted by Remus Georgescu. The piece was later performed in several Romanian cities, and this edition marks its first publication.
The concerto consists of three untitled movements, except for the second, marked “Improvvisando, molto rubato” in red pencil on the manuscript. As a work from Toduță’s mature creative phase, it showcases a rich stylistic synthesis: the use of core motifs, emphasis on monody, chromatic modality, heterophony, abundant melismas and ornamentation, and the contrast between nostalgic rubato passages and the energy of folk dance rhythms. Timbre is also fundamental, with Toduță employing various types of flutes – in C, in G, and piccolo – to enrich the sonic palette.
Detailed scoring
Solo – Flute in C
Alto Flute in G
Piccolo Flute
Violin I: 4 Pults, 8 players
Vioara II: 3 Pults, 6 players
Viola: 2 Pults, 4 players
Violoncel: 2 Pults, 3 players
Contrabass: 1 Pult, 2 players
Sigismund Toduță’s interest in the concertante genre led to works for solo instruments such as piano, flute, and oboe, as well as string orchestra concertos composed in a neobaroque style. Among these is the Concerto for flute and string orchestra, completed in 1983 and premiered in 1984 at the “Timișoara Muzicală” Festival by flutist Ioana Mogoș and the “Banatul” State Philharmonic Orchestra, conducted by Remus Georgescu. The piece was later performed in several Romanian cities, and this edition marks its first publication.
The concerto consists of three untitled movements, except for the second, marked “Improvvisando, molto rubato” in red pencil on the manuscript. As a work from Toduță’s mature creative phase, it showcases a rich stylistic synthesis: the use of core motifs, emphasis on monody, chromatic modality, heterophony, abundant melismas and ornamentation, and the contrast between nostalgic rubato passages and the energy of folk dance rhythms. Timbre is also fundamental, with Toduță employing various types of flutes – in C, in G, and piccolo – to enrich the sonic palette.
Solo – Flute in C
Alto Flute in G
Piccolo Flute
Violin I: 4 Pults, 8 players
Vioara II: 3 Pults, 6 players
Viola: 2 Pults, 4 players
Violoncel: 2 Pults, 3 players
Contrabass: 1 Pult, 2 players
| Title | CONCERTO for Flute, Alto Flute, Piccolo Flute and String Orchestra |
|---|---|
| Editor | Stefan Diaconu |
| Score study | Oana Andreica |
| Languages of the text | English, Romanian |
| Instruments | Alto Flute, Contrabass, Flute, Piccolo Flute, Viola, Violin, Violoncello |
| Duration (approx.) | 16 min |
| Number of pages | 57 |
| Page format | A4 |
| Scoring | Chamber music |
| Score Type | Original |
| Product format | 01. Full score, 02. Parts, 03. Full score and Parts, 05. Solo part |
| Publishing Date | 27.10.2024 |
| Publisher | Musica Coloris Edition |
| Edition number | MC 08.1.19.14 |
| Manufacturer Identification | Editura Musica Coloris, CUI 51641026, Butimanu nr. 545, jud. Dâmbovița, postal code : 137075 |
| Availability | Digital (download) |
| Remark |








